Not to spam everyone, but I spent more time arting in August than has been typical for me. I'm finding that the mental health benefits are significant, so I'm going to try to adjust my design schedule accordingly. The 4-5 hour sessions with Jana —
@jlholden15 — have been a lifesaver for me as we deal with all the family crap that's been going on seemingly forever. I'm way too old for this !$%#! Silver lining time. Lol.
A two-pager in my Strathmore soft cover 8x10. Those floral transfers are by Katie Pertiet. I just can't stop journaling with my gold Signo.
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Another two-pager in my Dylusions 8x5. I almost always scan my backgrounds as they are in progress so that I can use them in my digital kits and this one will for sure make it into a collection before the end of the year. In fact, the papers are already done, and believe it or not, I got TWENTY papers out of it.
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This 6x6 is a Joggles ring-bound page (the same type I used for the cat page I shared in a post above. It's the third of the five-week mixed media scavenger hunt challenge (meaning they tell us 5 things that must be included on the page) we found on Insta.
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Week 4 of that challenge — I need to use an arc, a deer, something orange, a stencil, and something "see through" — so I bagged some deer. Lol! Side story. Maybe 10 years ago Mr. Me and I were in our golf cart coming back from a tournament we had played in. I looked up just in time to see three deer on the ridge. The sun was going down, so they were actually silhouetted. Luckily I had my phone and got a pretty decent shot. I extracted the deer from that photo and then printed them. They are not quite fussy cut to make them more like stickers and the white you see on them is paint spatter.
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After we finished our challenge pages, Jana and I decided we'd decorate the cover of the journal we each set aside for our joint arting projects. I'd completely forgotten how much fun it is to just create texture. First I added layers of acrylic to the front and back. Then absolutely hated the colors. Lol. I just kept laying down (mostly dry-brushing) and wiping away paint layers until I was happier. The frond is a Dina Wakley stencil — I spread super heavy gesso over it and then once it dried sort of "stained" it with a variety of transparent paints and some iridescent mica powder I didn't know I had (!!!!!). Then I had to add more layers of paint around the raised surface to blend everything together. I ended up glazing the entire top — a process where you lay down a very thin coat of very liquid transparent paint (this was a Golden's fluid acrylic), let it sit for a minute or two and then wipe it away. It helps make everything feel more cohesive. It's a pity that the camera can't pick up how that frond glows because it's swoon-able fabulous (if I do say so myself). Lol
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