Oscraps

Cotton Mill
B

Cotton Mill

In honor of the Labor Day weekend coming up in the States, I dedicate this page to all the children in the past and present, many who lost their lives in these unsafe, noisy, dirty factories. We still have a long way to go in this world.

Journaling: There was a time when many U.S. children toiled in factories for 70 hours a week, until child labor laws went into effect in the 1900s. A child with a factory job might work 12 to 18 hours a day, 6 days a week, to earn a dollar. Many children began working before the age of 7, tending machines in spinning mills or hauling heavy loads. By 1810, about 2 million children were working 50 - 70 hours weeks. One glass factory in Massachusetts was fenced with barbed wire to keep the young imps inside. These were boys under the age of 12 who carried hot glass all night for a wage of 40 - $1.10 per night.
The U.S. Congress passed two laws, in 1918 and 1922, but the Supreme Court declared both unconstitutional. Then in 1938 Congress passed the Fair Labor Standards Act. It fixed minimum ages of 16 for work during school hours, 14 for certain jobs after school, and 18 for dangerous work.

ArtPlay Palette RiantArtPlayPaletteRiant
Assemblage Overlays No. 2AssemblageOverlaysNo.2
Photo WordART Mix No. 1PhotoWordARTMixNo.1
UrbanThreadz FotoBlendz Frames No. 2
PaperTextures No. 7[url=https://www.oscraps.com/shop/PaperTextures-No.-7.html]PaperTexturesNo.7

WarmGlows No. 7WarmGlowsNo.7
TapedTextures No. 1TapedTexturesNo.1
ArtPlay Palette Bravura (Button Card)ArtPlayPaletteBravura
ButtonThreadz No. 2ButtonThreadzNo.2
ButtonThreadz No. 3ButtonThreadzNo.3
TissueTextures No. 6TissueTexturesNo.6
Photo: Lewis W. Hine

Notes: Starting with artsy paper 1 and bringing in the urbanthreadz frame, I clipped the photo to the main mask and duplicated the photo and blended to Screen. I sandwiched in the warm glow between the photos to give it some color. I blended the glow to Linear Burn at 100% opacity. I moved the tape a bit to the right and added a paper texture to the top left of the photo, blended to Linear Burn. I duplicated the photo one more time and moved it to the bottom right and using a reverse layer mask brought out the face of the little girl. Duplicating again and blending to Screen.

After adding the title and journaling, I added the brushes listed above to give the page more texture and then finishing the page with the dimensional elements.
Barbara, this is absolutely outstanding!! and thanks for your process notes too. Especially like using a glow for some subtle color.
 
An exquisite dedication to children who labor/labored without advocacy. Barbara, you are rocking the new APP! The button card, thread, and ribbon...on point!
 
Lovely tribute to our sad roots. I visited the Ouray Alchemist, a pharmacy museum in Ouray Colorado. The statistics they mentioned of heavy heroin and usage of other tonics at the turn of the 20th century were staggering, and I wondered how any work got done. Now I've made the connection.
 
When we visited a cotton mill museum in Scotland I was saddened and shocked by the ages of the children who worked there but also by the horrific injuries some of them sustained because, of course, there was no health and safety practice in those days! I agree with Lynn, this is quite outstanding!
 
Stunning page Barbara ... love the blending and texture ... Love the photography of Lewis Hine ... however sad the images are ..
 

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Barbara Houston
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